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![]() Restoration of the hand-painted peacock required many hours of delicate, tedious inpainting in the NMM's Conservation Laboratory to return the instrument to its former splendor. |
Literature: Thomas E. Cross, Instruments of Burma, India, Nepal, Thailand and Tibet, The Shrine to Music Museum Catalog of the Collections, Vol. II, André P. Larson, editor (Vermillion: The Shrine to Music Museum, 1982), p. 12.
Thomas E. Cross, Instruments of Burma, India, Nepal, Thailand and Tibet, M.M. Thesis, University of South Dakota, May 1983, p. 26, plate IX.
"Behind the Scenes . . . The Art of the Conservator," Shrine to Music Museum, Inc. Newsletter 9, No. 4 (July 1982), pp. 1, 3-4.
André P. Larson, The National Music Museum: A Pictorial Souvenir (Vermillion: National Music Museum, 1988), pp. 9 and 29.
Ido Abravaya, Music at First Sight II: Musical Instruments (Ramat-Aviv, Israel: The Open University of Israel, 2006), front cover.
Ted Muenster, "South Dakota's Shrine to Music," Prairie Fire 3, No. 4 (April 2009): 14.
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