National Music Museum Logo   National Music Museum  
Home  Collections
Virtual Tour
Calendar Gift Shop FAQ Site Index Maker Index

 

Gift Shop Books

Music Notation Evaluation Procedure

Description

Music Notation Evaluation Procedure by Douglas F. Keislar
Kirksville, Missouri:  Notation Research Press, 1994

90 pages + 18 page summary; paperback

How can one evaluate the many new proposals for improving traditional music notation? This book provides a means that is considered to be fair, thorough, and flexible. The work is the full report of the first (1993-1994) Music Notation Modernization Association Evaluation Committee, chaired by Doug Keislar. In addition to the evaluation procedure, the book provides a probing discussion of what music notation is and isn't, and how music notation should function for a human reader and writer. Recommended for all who are concerned with the written form of music.

Table of Contents

Preface .....5
Overview .....7
CHAPTER 1:  Evaluation Technique .....9
  • Goals of the recommended evaluation technique .....9
  • Summary of technique .....11
  • Phase One: Preparation .....14
  • Phase Two: Analysis and Classification .....14
  • Phase Three: Evaluation .....17
  • Phase Four: Inventing new notation systems .....22
  • Phase Five: Scientific testing (optional) .....23
CHAPTER 2:  Definitions .....25
  • What is music? .....25
  • What is a music notation? .....25
  • What is a general-purpose music notation? .....26
CHAPTER 3:  Parameters .....29
  • Range and resolution of sound parameters .....29
  • Correlation of sound parameters with graphical parameters .....31
  • Traditional musical parameters .....32
  • A framework for classifying the notation of a parameter .....33
CHAPTER 4:  Time .....43
  • Range and Resolution .....43
  • Dimensionality .....44
  • Quantization .....46
  • Tempo .....47
  • Transformations .....48
  • Parameterization of events .....49
  • Time symbols .....49
CHAPTER 5:  Pitch .....55
  • Range and Resolution .....55
  • Dimensionality .....56
  • Quantization .....57
  • Transformations .....59
  • Pitch symbols .....60
CHAPTER 6:  Other Elements .....65
  • Other Parameters .....65
  • Non-parametric symbols .....65
CHAPTER 7:  Symbols .....67
  • Check for a pre-existing evaluation .....67
  • Interactions with other features .....67
  • Frequency of use .....68
  • Visual clarity .....68
  • Precision .....69
  • Intuitiveness .....70
  • Ease of writing .....71
  • Advantages and disadvantages of this symbol .....72
  • Other considerations .....72
CHAPTER 8:  Systems .....73
  • Evaluation of components of the system .....73
  • General-purpose .....74
  • Efficiency .....75
  • Precision .....76
  • Visual clarity .....77
  • Intuitiveness .....77
  • Ease of writing .....78
  • Consistency .....78
  • Thoroughness .....79
  • Aesthetics .....80
  • Advantages and disadvantages of this system .....80
  • Other considerations .....80
CHAPTER 9:  Scientific Experiments .....81
  • Learning .....82
  • Performance tasks .....83
  • Multiple-choice tasks .....84
  • Threshold of perceptibility .....84
CHAPTER 10:  Suggested Features .....87
  • General .....87
  • Time .....89
  • Pitch .....90
SUMMARY - following page 90 (paginated separately)

ISBN 0-9638849-1-3
LC 94-69390

Limited Edition!


Order #MNMA-2:  $25.00

Return to MNMA Publications List
Return to NMM Books
Return to NMM Gift Shop

National Music Museum
The University of South Dakota
414 East Clark Street
Vermillion, SD 57069

©National Music Museum, 2007
Most recent update: October 19, 2007
You are the 1,375th visitor to this page since April 26, 2007.

The University of South Dakota
Return to Top of Page