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Second MNMA Conference Proceedings

Description

Second MNMA Conference Proceedings edited by Thomas S. Reed
Kirksville, Missouri:  Notation Research Press, 1994

183 pages, including appendix; paperback

Contains papers presented at the Second International MNMA Conference
held in St. Louis, Missouri, USA, 1991

These proceedings are of special importance because of the new notation systems illustrated in the "Test Drive" section. Fourteen new notation systems are used to notate the same musical excerpts. This allows the reader to try out and compare the different notation systems. The lectures present a wide range of provocative views and opinions.

Title

Author

Page

Preface v
Photograph of Conferees vii
Concepts of Music Notation Modernization in 19th Century Germany Michael Maier (Germany)1
Using the Base-twelve Number System for Solmization, Arranging, and Composing Donald M. Cowan (U.S.A)7
We Cannot Expect Help from AnybodyJohannes Beyreuther (Germany)13
Trigram Notation Richard Parncutt (Germany) 19
The Ideal Music Notation George J. Skapski (U.S.A) 21
Categories of Notation: Different Categories of Perfection in History, the Present and the FutureLeo de Vries (Netherlands)27
Symmetrical Notations: My Attempt to Penetrate, Via the Twinline Principles, into the Microtone Domain Leo de Vries (Netherlands) 31
Why "Mirror Notation"?Johanna Sheer-Duyvis (Netherlands) 45
Basic Outline for a Notation that is Easier, Better, and Suited to our Times Johannes Wolf (Austria) 49
Conventions in Rhythm Notation and Stylistic Practices in Keyboard Music Chris Childs (Australia) 61
Notation Systems for Non-linear Instruments: Scoring for Sound Sculpture Dan Senn (U.S.A)71
Enlightenment from the Abandonment of Musical Notation Han Wan Zhai (China) 73
The Digital Music Notation of the Accordion Yin Zhi-chao (China) 77
C-Symmetrical Semitone Notation System Ronald F. Sadlier (U.S.A) 81
Step by Step to a Simpler Notation Jeannette de Buur (France) 87
Why not a MUSICIAN'S Notation? W.D. Collinds (England) 93
Nomographic Notation James C. Rickey (U.S.A) 103
Alternate Keyboards, Theory, History and Current Developments Paul Vandervoort (U.S.A) 109
A New Look at the Temporal Aspect of Music Notation George J. Skapski (U.S.A) 111
Choosing Syllables for a Chromatic Solfa Robert Stuckey and Richard Parncutt (England and Germany) 117
Puntun Notation Michael Laschober (U.S.A.) 119
Scenario for the Future of Music Notation Thomas S. Reed (U.S.A) 123
Test Drive the New Notation Systems (Parts I and II) Appendix
Test Drive (Contents)  Appendix iii
Article II - "Purposes"  Outside Back Cover

ISBN 0-9638849-0-5
LC 93-86922

Limited Edition!


Order #MNMA-4:  $30.00

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