Title | Author | Page |
| Twenty-First Century Music Theory and Notation | Thomas S. Reed | 1 |
| 100 Students Learn the Piano Through the Klavarskribo Music Notation in Hong Kong, a Description of Methods, Materials and Results | Peter
Spurrier Jackson
| 20 |
| Towards a Standard Keyboard Staff | Richard Parncutt | 31 |
| Piano Patterns: Outline Notation, a Link with Staff Notation | Annemarie Scheltema | 32 |
| Accidentals in a New Musical Notation | Delia Mugnaini Robotti | 37 |
| Graphical Control Strategies of Aleatory Music Notation | Giorgio Tedde | 41 |
| Revised Music Notation with Electronic Music Technology as a
Combined System of Recording and Learning Music
| Mario Koppers | 53 |
| Accidentals, Musical Function and Intonation | Richard Parncutt | 54 |
| The Four-Level Six-Six Keyboard | Paul Vandervoort | 58 |
| A New Notational System and Traditional Harmonic Theory | Mario
Koppers | 59 |
| Funzionalita Storica Contenutistica Della Notazione Musicale E Suc Parallelo Nella Programmazione Della Nuova Notazione Musicale | Italo Ruggero Muci | 60 |
| From a Special to a General Notation |
Leo de Vries |
61 |
| Music in a Graph | Albert Brennick | 88 |
| A New System of Musical Shorthand | John Asher | 100 |
| Applications of the Chromatic Alphabet in the Notation of Music | Robert Stuckey and Richard Parncutt | 104 |
| A Symmetrical Notation for Microtones | Leo de Vries | 110 |
| Summing up the 1988 Norwich Conference | Ronald Watson | 116 |